Reveal the finest details of your mix with a master of the modern studio - the smart three-way 1237A.
1237A SAM™ Studio Monitor
Active Crossovers
Optimized Amplifiers
SPL
118 dB
Frequency Response
32 Hz - 22 kHz (-6dB)
Dimensions
H 680 x W 400 x D 380 mm, (view in inches)
Heritage meets innovation
Shaped by the experience of more than 40 years, yet loaded with the most advanced monitoring technology available, the 1237A follows the heritage of its classic 1037 predecessor, and can be found flush-mounted into the walls of countless studios and facilities. And like all Genelec main monitors, the 1237A delivers uncoloured neutrality across a wide sweet spot, even at high SPLs.
Perfect translation
As part of the growing Smart Active Monitoring family, the 1237A integrates closely with our GLM software via which it can be configured and calibrated for your listening environment, compensating for detrimental room influences to create a truly optimised monitoring solution. This makes the 1237A is the perfect choice for professionals in high-end music production, post production and broadcast whose mixes need to translate perfectly to other rooms and systems.
Key Technologies
Active Crossovers
Optimized Amplifiers
Intelligent Signal Sensing (ISS™) Technology
Directivity Control Waveguide (DCW™) Technology
Protection Circuitry
Smart Active Monitor (SAM™) Systems
Active crossover operating at low signal levels.
Audio electronic crossovers allow to split the audio signal into separate frequency bands that can be separately routed to individual power amplifiers which then are connected to specific transducers optimized for a particular frequency band.
Active crossovers come in both digital and analogue varieties. Genelec digital active crossovers include additional signal processing, such as driver protection, delay, and equalization.
Genelec analogue active crossover filters contain electronic components that are operated at low signal levels suitable for power amplifier inputs. This is in contrast to passive crossovers that operate at the high signal levels of the power amplifier's outputs, having to handle high currents and in some cases high voltages.
In a typical 2-way system the active crossover needs two power amplifiers — one for the woofer and one for the tweeter.
The active crossover design offers multiple benefits:
- The frequency response becomes independent of any dynamic changes in the driver's electrical characteristics or the drive level.
- There is an increased flexibility and precision to adjust and fine tune each output frequency response for the specific drivers used.
- Each driver has its own signal processing and power amplifier. This isolates each driver from the drive signals handled by the other drivers, reducing inter-modulation distortion and overdriving problems.
- The ability to compensate for sensitivity variations between drivers.
- The possibility to compensate for the frequency and phase response anomalies associated with a driver’s characteristics within the intended pass-band.
- The flat frequency response of a high-quality active loudspeaker is a result of the combined effect of the crossover filter response, power amplifier responses and driver responses in a loudspeaker enclosure.
Using the active approach enables frequency response adjustments and optimization of the full loudspeaker system, placed in various room environments, without expensive external equalizers. The end result is a simpler, more reliable, efficient, consistent and precise active loudspeaker system.
Each transducer is driven by its own optimized amplifier.
Audio electronic crossovers allow to split the audio signal into separate frequency bands that can be separately routed to individual power amplifiers which then are connected to specific transducers optimized for a particular frequency band.
In a typical 2-way loudspeaker system, the active crossover needs two power amplifiers — one for the woofer and one for the tweeter. The power amplifiers are connected directly to the drivers of an active loudspeaker, resulting in the power amplifier’s load becoming much simpler and well known. Each driver-specific power amplifier has only a limited frequency range to amplify (the power amplifier is placed after the active crossover) and this adds to the ease of design.
The active design principle offers multiple benefits:
- The power amplifiers are directly connected to the speaker drivers, maximizing the control exerted by the power amplifier’s damping on the driver’s voice coil, reducing the consequences of dynamic changes in the driver electrical characteristics. This may improve the transient response of the system.
- There is a reduction in the power amplifier output requirement. With no energy lost in the passive crossover filter components, the amplifier power output requirements are reduced considerably (by up to 1/2 in some cases) without any reduction in the acoustic power output of the loudspeaker system. This can reduce costs and increase audio quality and system reliability.
- No loss between amplifier and driver units results in maximum acoustic efficiency
- Active technology can achieve superior sound output vs. size vs. low frequency cut-off performance
- All loudspeakers are delivered as a factory aligned system (amplifiers, crossover electronics and enclosure-driver systems)
Intelligent Signal Sensing (ISS™) for power consumption reduction in stand-by mode.
Introduced early 2013, Genelec’s Intelligent Signal-Sensing technology has been developed to meet with both European Union ErP Directives and the company’s own wider sustainability commitments.
The Intelligent Signal Sensing, ISS™ circuitry tracks the signal input of the loudspeaker and detects if it is in use. If the ISS circuit does not find any audio on the input for a period of time, it sets the loudspeaker to a low-power sleep state and the loudspeaker will consume less than 0.5 watts. When an input signal is detected, the loudspeaker immediately turns itself on. Basically, the loudspeaker system will start saving power as soon as work is interrupted.
Additionally an ‘ISS Disable’ switch is located on each product’s back plate next to the other room response controls. First, when the mains power switch of the loudspeaker is set to “ON”, the ISS™ auto-start function (low-power sleep state on/off) of the loudspeaker is active.
If this function is not desired, the ISS™ function can be disabled by setting the “ISS Disable” switch on the back panel to “ON” position. In this mode, the monitor is only powered on and off using the mains power switch.
Note that the mains power switch will always turn the monitor off completely.
Directivity Control Waveguide (DCW™) for flat on- and off-axis response.
A revolutionary approach was taken by Genelec in 1983 with the development of its Directivity Control Waveguide (DCW™) used at the time in an egg-shaped enclosure. The Genelec DCW technology developed and refined over more than 30 years greatly improves the performance of direct radiating multi-way monitors.
The DCW technology shapes the emitted wavefront in a controlled way, allowing predictable tailoring of the directivity (dispersion) pattern. To make the directivity uniform and smooth, the goal is to limit the radiation angle so that the stray radiation is reduced. It results in excellent flatness of the overall frequency response as well as uniform power response. This advanced DCW technology minimizes early reflections and provides a wide and controlled listening area achieving accurate sound reproduction on- and off-axis.
Minimized early reflections and controlled, constant directivity have another important advantage: the frequency balance of the room reverberation field is essentially the same as the direct field from the monitors. As a consequence, the monitoring system's performance is less dependent on room acoustic characteristics.
Sound image width and depth, critical components in any listening environment, are important not only for on-axis listening, but also off-axis. This accommodates not only the engineer doing his or her job, but also others in the listening field, as is so often the case in large control rooms.
DCW™ Technology key benefits:
- Flat on- and off-axis response for wider usable listening area
- Increased direct-to-reflected sound ratio for reduced control room coloration
- Improved stereo and sound stage imaging
- Increased drive unit sensitivity up to 6 dB
- Increased system maximum sound pressure level capacity
- Decreased drive unit distortion
- Reduced cabinet edge diffraction
- Reduced complete system distortion
Sophisticated drive unit protection circuitry for safe operation.
When working in critical audio production environments it is essential that monitoring systems remain reliable and functional at all times. One of the main reasons behind Genelec’s excellent success in broadcasting environments is the reliability of our products and a key element behind the reliability is the internal protection circuitry found in all products since 1978.
The protection circuitry prevents driver failures by detecting signal levels, and in case of sudden peaks or constantly too high levels, taking the signal level down automatically. Of course this feature does not affect the sound quality in any way when working within the specifications of the loudspeaker, but only prevents inadequate input signals from breaking the loudspeaker.
Protection circuitry features and benefits:
- Reduces the output level when required, (e.g. when driver voice coil temperature reaches the safe limit) which highly improves the system reliability
- Appropriate protection circuitry design in every loudspeaker and subwoofer enables to maximise system output sound level.
Networked Smart Active Monitor (SAM™) Systems feature automatic calibration to the environment.
The last decade has experienced a rapid increase in global media content creation, resulting in significant changes in the way network facilities deal with increased workload. Now, more than ever, a growing number of audio productions are done in tighter, more confined working environments. This increases acoustic problems and lowers the reliability of monitoring. At the same time, a professional audio engineer needs to have high confidence in a reliable and precise monitoring system that reproduces sound neutrally and without distortion.
Built upon the solid electro-acoustic foundations of the 1200, 8000 and 7000 Series products, Genelec advanced SAM Systems are today’s most advanced and flexible monitoring solutions. They are an indispensable tool for audio professionals, as they are capable to automatically adapt to the acoustic environments and correct for levels, delays and room anomalies. SAM Systems can be controlled via Genelec proprietary Loudspeaker Manager (GLM™) network and software, enabling you to build a highly flexible and reliable monitoring system.
The GLM 3 software is a highly intuitive and powerful monitor control networking system that manages connectivity to all SAM studio monitors and subwoofers on the network – up to 30. The GLM 3 software features adjustment of levels, distance delays and flexible room response compensation equalization with the state-of-the-art and robust AutoCal™ automated calibration system. All parameters and settings are stored in system setup files or saved in each individual monitor or subwoofer if the GLM network needs to be disconnected.
Also, all acoustical features of SAM Systems can be optimised for different working styles or client demands. Additionally, even if the monitors or the production projects move between rooms, you can expect SAM technology to achieve the highest consistency in monitoring, providing a neutral sound stage imaging with low distortion.
Genelec SAM Systems offers a comprehensive, solution-oriented, intelligently networked product range supporting analogue and digital signals in virtually any working environment.
Genelec
1237A SAM™ Studio Monitor
Package contains:
1 x 1237A main monitor
1 x mains cable 1,8 m
1 x RJ45 cable 5 m
1 x user manual
Color options:
1237A SAM™ Studio Monitor
Awards
Technical Specifications
SPL
118 dB
Amplifier Power
500 W Bass (Class D) + 250 W Midrange (Class D) + 200 W Treble (Class AB)
Frequency Response
32 Hz - 22 kHz ("-6 dB")
Accuracy of Frequency Response
± 2.5 dB (37 Hz - 20 kHz)
Driver Dimensions
⌀ 305 mm Bass + ⌀ 125 mm Midrange + ⌀ 25 mm Treble (view in inches)
Dimensions
H 680 x W 400 x D 380 mm, (view in inches)
Weight
42 kg / 92.6 lb
Connections
1 x XLR Analog Input
1 x XLR AES/EBU Input
1 x XLR AES/EBU Output
2 x RJ45 Control
1237A SAM™ Studio Monitor
Technical Specifications
System Specifications
Frequency Response
37 Hz - 20 kHz (± 2.5 dB)
Low cutoff -6dB
32 Hz
High cutoff -6dB
22 kHz
SPL
Peak SPL Maximum peak acoustic output per pair in a listening room with music material at 2 m.
≥122 dB
Short term max SPL Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.
≥118 dB
Long term max SPL Maximum long term RMS acoustic output in the same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.
≥112 dB
Self-generated noise
Self-generated noise Self generated noise level in free field at 1 m on axis (A-weighted).
≤10 dB
Weight
Weight42 kg (92.6 lb)
Dimensions
Height
680 mm
Width
400 mm
Depth
380 mm
Enclosure
Enclosure Material
MDF
Enclosure Type
Reflex port
Drivers
Bass
Driver Type
Cone
305 mm (12 in) cone
Diameter
305 mm
Midrange
Driver Type
Cone
125 mm (5 in) cone
Diameter
125 mm
Treble
Driver Type
Metal dome
25 mm (1 in) metal dome
Diameter
25 mm
Directivity
Horizontal Directivity
Harmonic Distortion
50…200 Hz ≤3 %
> 200 Hz ≤0.5 %
> 200 Hz ≤0.5 %
Amplifier Section
Amplifiers
1237A bass amplifier
500 W Class D
1237A midrange amplifier
250 W Class D
1237A treble amplifier
200 W Class AB
Mains Voltage
100-240 VAC 50/60Hz
Power consumption
ISS active
≤0.5 W
Idle
≤25 W
Full output
750 W
Signal Processing Section
Connectors
Input Analog signal input connector XLR female, balanced 10 kOhm.
Input Digital signal input connector XLR female 110 Ohm.
Output Digital signal output / Thru connector XLR male 110 Ohm.
2 x Control Two CAT5 (RJ45) GLM Network connectors for computer control using the Genelec Loudspeaker Manager (GLM) software.
For even more technical details, please see product operating manual.
Related products
References
Composer Federico De Robertis Discovers his Afterlife with Genelec
As one of Italy’s most respected film composers, Federico De Robertis has spent more than three decades working in the world’s leading post production studios.
Hardwell takes Genelec on holiday
The ongoing relationship between Hardwell, Genelec and studio designer Jan Morel has created a third recording facility, with the completion of the DJ and producer’s holiday home studio in Curacao. The new facility offers a completely different look and feel from Hardwell’s main studio in the Netherlands, but with the same reference sound quality and low end control thanks to Genelec studio monitors and subwoofers.
Genelec Remains Number One for Hardwell
“Hardwell wanted to have an environment where he was able to work 24 hours without any signs of fatigue,” recalled Morel. “It was a special project because it was a challenge to create the best possible producer’s studio for a number one DJ in a bedroom!"
Composer Federico De Robertis Discovers his Afterlife with Genelec
Now, Florence-based acoustic design specialist Studio Sound Service has dramatically transformed De Robertis’ personal studio, assisted by a Genelec monitoring system which the composer describes as “simply perfect”.
Perhaps best-known for his long-term, award-winning collaboration with celebrated filmmaker Gabriele Salvatore, De Robertis began working in his current studio space after relocating to the countryside near the Italian town of Lucca.
His twin passions of cinema and music come together within the studio, where he works with Fede e gli Infedeli, the eclectic group of musicians with whom he collaborates for film scores, and the Underground Supporters, a collective of young and talented DJs and electronic music producers from Lucca, who also organize the afterparty for the famous Notte Bianca all-night summer festival.
Until recently, however, the studio was extremely humble. In fact, it was so small, cramped and acoustically challenging that the composer nicknamed it ‘Loculo’ – literally, ‘the crypt’. However, Studio Sound Service’s complete reinvention of the interior was so dramatic that De Robertis has now renamed the studio Aldilà – meaning ‘Afterlife’.
“The control room was in a very narrow area with skylights and a low ceiling,” recalls Studio Sound Service’s Donato Masci, who worked to bring De Robertis’ vision to life. “These three factors presented critical problems that needed to be solved. The room was also very complicated to treat – we couldn’t add any treatment to the ceiling because Federico needed to retain the natural light. Finally, all of the walls were concrete, which created a significant booming effect.”
Having previously been described by Masci as possessing a “grey and gloomy look”, the space is now unrecognisable with an inviting palette of soft colours chosen by De Robertis.
Most importantly, the room’s acoustic problems have been solved. “We designed a full acoustic treatment, starting with a new concrete and masonry front wall where we flush-mounted two Genelec 1237 smart active main monitors,” explains Masci. “The front wall and the floor are the only solid surfaces, since the rest of the room is constructed with absorbent materials. We also used some diffuser panels to improve low frequency absorption and diffusion.”
Complementing the 1237 stereo setup is a 5.1 smart active monitoring system comprising five 8240 two-way nearfield monitors and a single 7370 subwoofer. Finally, Masci used Genelec’s GLM software to configure and calibrate the system. “GLM is critical when monitors are flush-mounted in a solid wall – in this case the low frequencies were raised by as much as 12 dB – but GLM controls the effect perfectly,” he says. “In an environment such as Aldilà, with so many compromises, GLM is of great help for fine-tuning.”
“I love my Genelec system,” declares De Robertis. “At the beginning it did change my work a little bit – my ears had to adapt to having perfect acoustics and perfect sounding speakers. But the transition was easy. The definition and quality of the sound remains unchanged right across the entire frequency range. My Genelecs are the jewels of my studio.”
Hardwell takes Genelec on holiday
Building on the previous successful projects, Morel was brought in early in the architectural design process for the Caribbean house. “I became involved with the design directly from the start,” he recalls. “When the first drawings were made for the new house it was clear a studio had to be in it as well. The architect gave me the location and the space in the house for the studio, and with this information I had to figure out how to make it possible.”
The aesthetic requirements for the new studio demanded a different design from Hardwell’s all-white main studio in the Netherlands, with the style, colours and architecture mirroring the house in Curacao itself. However, there was only ever one choice for the monitoring solution.
“He is used to Genelec, his main studio is equipped with 1034Bs, a 7073A and 8341As,” says Morel. “For him there is no other option to go for, or work with.”
While the monitoring brand has remained the same, Morel opted for a slightly different Genelec solution in response to the different acoustic environment of the new Curacao space. A pair of 1237A studio monitors have been installed as the main monitoring solution – about 6 feet from the listening position – with two 8330A monitors positioned about 4 feet away to provide the nearfield system. Finally, a 7071A dual 12-inch subwoofer has been placed under the desk but off centre, close to the wall to manage low frequencies. As part of Genelec’s Smart Active Monitoring family, the 1237A and 8330A monitors were configured and calibrated using Genelec’s own GLM software.
Initially, Morel remotely managed a team of local contractors and craftsmen who had been employed to handle the build. With the construction phase complete, he then travelled to Curacao for the commissioning stage.
“We used GLM to do the first auto-calibration,” he explains. “When this had been done, we further calibrated it manually within GLM to get the most satisfying personal result for the engineer. In this case of course, the engineer is Hardwell himself!”
Having overcome some challenges within the construction phase, the final result is something both Morel and, more importantly Hardwell, are happy with. “He had seen the design before I started finishing the room, and when we finished the room for real, he was really flabbergasted and blown away by the result both in sound and looks,” says Morel. “It was beyond his expectation.”
Genelec Remains Number One for Hardwell
Over the years, Dutch studio designer and acoustician Jan Morel has formed an extremely successful partnership with superstar DJ producer Hardwell - having created two studios already, with a third planned for later this year. At the heart of this relationship are Genelec studio monitors - which help to give Hardwell the sound quality and low end control he requires.
Voted the world’s number one DJ in both 2013 and 2014 by DJ Mag and ranked at number three in the title’s top 100 DJs poll in 2018, Hardwell has developed a reputation as one of the most in-demand performers in the world. Having taken a break from touring, Hardwell’s recent musical focus has been back in the studios that Morel has created for him.
The most recently completed project saw Morel turn a bedroom in Hardwell’s lakeside home in the Dutch town of Breda into a top-of-the-line production facility. “Hardwell wanted to have an environment where he was able to work 24 hours without any signs of fatigue,” recalled Morel. “It was a special project because it was a challenge to create the best possible producer’s studio for a number one DJ in a bedroom!
“We needed to start from a large bedroom situation, which had a lowered concrete ceiling on one side,” Morel continues. “It was not easy to create a design where we would end up with the right acoustic balance, so as a solution for this we integrated the lowered ceiling into the acoustic shape and mirrored it on the opposite side of the room. After that we could build up the heavy stone front wall for the Genelec main system to complete the whole acoustic room shape.”
The system in question comprises a pair of 1034B main studio monitors with a 7073A subwoofer. “This is the perfect main monitor system for getting the best out of this room,” explains Morel, adding “I am still overwhelmed by the beauty and harmony of the room: the ambiance is amazing and the sound is brilliant. This certainly is a room where you can work for a full day without getting tired.”
Hardwell himself comments that “The whole room is one giant sweet spot - no matter where you are in the room, the sound doesn’t change.”
Moving on from this, the next collaboration will see Morel create a holiday studio for Hardwell on the Caribbean island of Curacao. Following the success of his home studio in Breda, Genelec will once again be at the heart of this new facility, with 1237A smart active studio monitors being specified along with a pair of 7370A subwoofers. “For me, when it comes to main monitoring systems there are no other alternatives now to the Genelec 1200 series,” he states. “They have all the qualities that you look for, such as high definition right across the frequency range and full dynamics at every level.”
With construction of this third facility underway (and we’ll bring you more news as soon as the project is completed), the relationship between Morel, Hardwell and Genelec looks to be going from strength to strength. “We will always work to deliver a final result that is beyond expectation and matches his number one status,” concludes Morel.
How GLM™ (Genelec Loudspeaker Manager) Software Works
How GLM™ (Genelec Loudspeaker Manager) Software Works
Frustrated that your material doesn’t sound so great on other systems? In this video we show you how to calibrate the Genelec SAM™ monitors with the Genelec Loudspeaker Manager (GLM™) Software to get the most out of your room and ensuring that your mixes translate perfectly.
