Audioguy Studios goes immersive with Genelec
Audioguy Studios in the heart of Seoul is a unique recording space which has taken a different approach to many Korean studios. Focusing on acoustic music including classical jazz and the ‘Gukak’ style of Korean classical music, the facility has chosen a Genelec 7.1.4 monitoring system based around ‘The Ones’ coaxial three-way monitors, to enable it to fully embrace immersive recording techniques.Genelec and Sound Blanc join forces for unique surround sound performance
As part of the Modern Sky record company – one of the most important independent labels in China – the sub-label Sound Blanc has been one of the driving forces behind the popularity and development of ambient music in China, and so Genelec was extremely excited to partner recently with the Sound Blanc team to stage a special performance of “The Cycle” Ambient Surround Project at the Ullens Center for Contemporary Art (UCCA) in Beijing.Surviving the Project Studio revolution
Lundgaard Studios celebrated its 25th anniversary this year. It’s sometimes been a bumpy ride, but these days it’s among the finest studios in Denmark. We caught up with Studio Manager, Knud Erik Smidt, for a chat about the studio’s history and the many challenges that the past quarter of a century has thrown up…Genelec and Mick Sawaguchi join forces for ‘Subjective Immersive’ recording project
Genelec have collaborated with top Japanese engineer Mick Sawaguchi to produce a series of high-quality classical immersive recordings that capture performances by an ensemble of renowned Finnish musicians in Lahti’s Sibelius Hall.Genelec provides ‘mind-blowing’ sound for Ummet Ozcan
DJ, producer and sound designer Ummet Ozcan has built a hugely successful career, despite the acoustically challenging spaces he has often made music in. Now, thanks to the creation of his own private studio by renowned acoustician and studio designer Jan Morel, Ozcan finally has the ideal recording space - with a Genelec smart active monitoring system at its heart.
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